Harry Charms had been editing for fifteen years when he hit his limit. It was 2 AM on a reality TV production, staring down 400 unnamed clips from a three-day shoot. He'd done this a thousand times — manually scrubbing through footage, typing names, building folder structures by hand.
He closed his laptop and spent the next three months building QUEDE instead. A tool that actually understood what was in a clip. That could read a frame and know it was B-Roll. That knew what time of day it was shot and which shoot day it belonged to.
QUEDE is what Harry wished existed every time he opened a drive full of raw footage. It's built by an editor, for editors — with the specific madness of real production in mind.